Move over Jeremy Weeks, there’s a new hunky bad boy in town that’s got the ginas tingling with jungle fever like never before….and this one’s not even human. Whilst men have to bow their heads in self-hating paedocrite shame whenever a beautiful post-pubescent, but under 18 female walks past, even the CNN is playing its part to break the last taboo of female sexuality, as it gleefully reports on how thousands of Japanese women are openly declaring their lust for the powerful black beast. You go girls.
Luckily for the great inventor, the feminist lynch mob was still almost a century away..
“I had always thought of woman,” says Mr. Tesla, “as possessing those delicate qualities of mind and soul that made her in these respects far superior to man. I had put her on a lofty pedestal, figuratively speaking, and ranked her in certain important attributes considerably higher than man. I worshiped at the feet of the creature I had raised to this height, and, like every true worshiper, I felt myself unworthy of the object of my worship.
“But all this was in the past. Now the soft-voiced gentle woman of my reverent worship has all but vanished. In her place has come the woman who thinks that her chief success in life lies in making herself as much as possible like man–in dress, voice and actions, in sports and achievements of every kind.”
“Women,” says Mr. Tesla, “are becoming stronger than men, both physically and mentally.
“The world has experienced many tragedies, but to my mind the greatest tragedy of all is the present economic condition wherein women strive against men, and in many cases actually succeed in usurping their places in the professions and in industry. This growing tendency of women to overshadow the masculine is a sign of a deteriorating civilization.
“Woman’s determined competition with man in the business world is breaking down some of the best traditions–things which have proved the moving factors in the world’s slow but substantial progress.
“Practically all the great achievements of man until now have been inspired by his love and devotion to woman. Man has aspired to great things because some woman believed in him, because he wished to command her admiration and respect. For these reasons he has fought for her and risked his life and his all for her time and time again.
“Perhaps the male in human society is useless. I am frank to admit that I don’t know. If women are beginning to feel this way about it–and there is striking evidence at hand that they do–then we are entering upon the cruelest period of the world’s history.
“Our civilization will sink to a state like that which is found among the bees, ants and other insects–a state wherein the male is ruthlessly killed off. In this matriarchal empire which will be established the female rules. As the female predominates, the males are at her mercy. The male is considered important only as a factor in the general scheme of the continuity of life.”
As is now the NSPCC’s custom, How Safe Are Our Children? 2015 was brimful with frightening, press-release-worthy figures. In England and Wales in 2013/14, there were 31,238 allegations of sexual offences against children. This, we were gleefully informed, represents an increase of 38 per cent on the previous year.
But, for the NSPCC, even bad news is never quite bad enough. There may be more allegations of child sexual abuse than ever before, but the NSPCC is insatiable. It always wants more: more allegations, more reporting and more publicity. That is, it wants more people to come forward and tell the police that they have been abused, neglected or maltreated in some way. Because, as it and the rest of the child-protection industry never cease from telling us, whatever is alleged, whatever is reported, is only ever just the ‘tip of the iceberg’, ‘a fraction of the true number of victims’.
MHRAs are right when they say that society downplays the sexual abuse of boys as compared to girls. In fact MHRAs don’t go far enough. According to the underlying feminist logic behind sexual abuse and its devastating impact upon the victim, the sexual abuse of boys is MUCH more serious than that of girls.
For most of history, society regarded the ‘sexual abuse’ of young teenage girls as serious because it entailed the ruining of her ‘honour’ – her reputation as virginal and chaste, and hence her value as a future wife. Of course, this historical justification for protecting young girls from sex never made any sense with regard to boys, of whom virility not virginity was prized, and hence the ‘double standard’ that MHRAs vent their fury against so much today became very much rooted in society.
Now in today’s feminist society, we pretend that virginity is no longer something to be valued in a female, and hence we can no longer argue that girls need to be protected from the male ‘predator’ in order to preserve their ‘honour’. Instead, we now claim that it is their minds or psyches that are ‘ruined’ by sex with older men. This is the feminist ‘trauma model’ of sexual abuse, and is nothing more than an attempt at a ‘scientific’ re-formulation of the desire to preserve virginity in girls, even though we have ostensibly abandoned that value. Feminsts want a high age of consent in order to remove sexual competition to themselves and their followers, and they use the ‘trauma model’ of abuse as a thinly disguised way to exploit the hardwired male inclination to protect and White Knight the virginity and chastity of young girls.
The Trauma Model is a near entirely empty concept with zero scientific credibility. It is, in fact, the Trauma Myth, or equally, the Trauma Tautology. Why does underage teen sex lead to trauma? Because underage teen sex is bad! Why is underage teen sex bad? Because underage teen sex leads to trauma!
In fact, a moment’s reflection would lead any sane and rational person to understand that if post-pubescent teenage sex was inherently traumatic, the human race would likely have become extinct within a few generations of arising. Certainly, many thousands of years and generations before the word ‘teen’ became far and away the most searched for porn term online.
But lets pretend that teenage sex is bad, not because it ‘ruins’ the ‘honour’ of the teen ‘victim’, but because it ruins his or her mind, esepcially their psycho-sexual functioning. As we know, in this, MHRAs agree entirely with feminists. All they want is for society to accept that underage sex affects boys in as devastating a fashion as it does girls. But they should go further than this. Because if this is the reason that teenage sex is bad, then teenage sex will affect boys much more adversely than it does girls. This is because it is the male that is expected to take the lead in sexual relationships, from start to finish. Men pursue women and women choose. Men have to display confidence, assertiveness (feminists have made this a legal minefield, of course), humour, risk taking for fear of rejection etc, as well as status which comes from a good career and achieving a high social rank. Women simply choose, and the wealth of their choices is determined largely by their looks.
Even in regards to navigating life and social relationships in general , some of what we might expect to be the marks of a somewhat damaged personality – shyness, introvertedness, nervousness etc – are much more easily forgiven, and even admired or found cute in a female, than they are in a male.
If teenage sex is bad because if devastates a young person’s ability to function sexually with the opposite sex, their confidence with regards to both sex and to social relationships and life in general, then we should expect it to have a far more serious impact upon boys than girls.
Perhaps MHRAs should not campaign to simply abolish the double standard, but to reverse it? Perhaps indeed we should raise the age of consent with regard to boys and lower it with regard to girls? This is the logical outcome of the trauma model of sexual abuse, or rather the ‘Trauma Tautology’.
An alternative would be to see the Truama Tautology for what it is, to campaign for the abolishment of the feminist high age of consent (or at least not to promote the Trauma Tautology and feminist child abuse industry), and to recognise that the disposibility of and contempt for the male is found in the double standard as regards alleged ‘predators’ rather than the ‘victims’ who have had that status forced upon them by feminists. It is the victim label that ‘ruins’ teenage ‘victims’ of willing sex, and it does so even more seriously for boys than for girls, and it is the ‘predator’ label which is leading thousands of men, and even increasingly boys, to face lives of imprisonment, fear, and ostracisation as ‘sex offenders’, the feminist version of the Nazi pink triangle, and perhaps soon, the feminist version of the holocaust.
Just like with any bold step forward in this country, there’s always someone chomping at the bit to criticize it. In the case of plus-size supermodel Tess Holliday, that person is weight loss expert Steve Miller.
While the 29-year-old model’s message “you can be gorgeous and fat” seems super body positive, Miller believes it absolves unhealthy eating habits. He told the Daily Mail, “Tess challenges the fashion industry’s preconceived idea of beauty and believes you can be gorgeous and fat which is ludicrous because fat isn’t great — it’s dangerous.”
Meanwhile, Reddit has apparently banned anti-fat ‘hate speech’ :
Supporting calls for more men to be arrested and caged for ‘manspreading’, Telegraph writer Louise Burke fantasises recounts how she was once ‘groped by a man’s knee’ on the London underground, leaving her feeling as though she had been raped and traumatised for life. Or, as one reader commented, ’50 Shades of Testicle Envy’.
The suit-clad knee was jamming into my thigh so hard I could feel the quickening pulse of its owner through the fabric.
I edged sideways until my legs were awkwardly pushed up against the wall of my window seat on the train, but still his limb strayed up against mine. He opened a broadsheet newspaper across his lap – and half-way across mine – and pretended to read.
Mortified and trapped, I held my breath as I tried to decide what to do.
The passengers around me had no idea what he was doing – the paper was blocking the view of his leg and even if it hadn’t been, he probably just looked like any other careless bloke taking up too much leg room.
But at close quarters, his nervous breathing and the pressure of his leg betrayed the thrill he was getting from making me his target…
..I stood at the carriage doors without looking back until I reached my station, then walked home, checking regularly that I wasn’t being followed. I felt dirty and ashamed I had been too cowardly to say anything.
This sorry experience resurfaced as I read the news that two men have just been arrested for manspreading on the New York metro
**NOTE TO VISITORS – Don’t be fooled by Futrelle’s ridiculous dismissal of this scandal as him simply having ‘once written a news story on a censorship controversy’.
David Futrelle mocked American police officers for thinking it inappropriate for a video containing graphic images depicting naked child actors as young as 14 being anally raped, forced to eat their abuser’s shit, tortured, and slowly murdered, to be rented out alongside other porn films in a seedy gay sex shop. He still continues to refuse to apologize for or even acknowledge this.
David Futrelle once described an adult male’s fantasy of violently sexually assualting a random boy in a bar as ‘tender’ and ‘erotic’. Writing about this, I posed the question – if this was Futrelle’s idea of a ‘tender’ homoerotic yearning, what would his definition of a more hardcore sexual fantasy involving teenage boys possibly consist of?
Sexually humiliating them? Forcing them to eat human faeces? Mutilating them? Torturing them before murdering them?
No. Futrelle apparently accepts that these evil depravities should not be the subjects of sexual fantasy. We can all breathe a sigh of relief. Especially our teenage sons.
For according to Futrelle, such things are the theme of ‘classic’ art, not sexploitation.
Even when sold in seedy gay bookstores. Even when one of the boy actors later killed himself. Even when the paedophile director of the movie was murdered soon after the film was completed by a child he was abusing in real life. Even when the film is officially banned in at least 15 different countries and is routinely described as the most appalling and grotesque ever made.
David Futrelle was an active freelance writer back in the 90’s, writing for both online and offline liberal publications that included Salon, and ‘In These Times’. Quote-mining from the many articles he wrote in this period, we find that he claimed that an age of consent above 12 is apparently nothing more than prudish feminists ‘controlling the sexuality of young girls’, described the sexual fantasy of violently assaulting a random boy in a bar as ‘tender’ and ‘erotic’, suggested that child rape victims be encouraged to marry their abusers (who would be spared jail), repeatedly accused the world’s leading child protection organizations (such as the NSPCC) of generating hysteria and lies over child abuse, and railed against the first government efforts to protect children from online paedophilia and porn.
Describing some of these shocking and outrageous viewpoints of David Futrelle, I wondered what more dark secrets and even more disturbing quotes were still to be found in the dusty internet archives, amongst the hundreds of pieces he wrote for his liberal ‘sex positive’ feminist audience back in the 1990’s. I specifically mentioned that the thought of what still might be discovered sent a shiver up my spine…and likely his too.
I wasn’t wrong.
David Futrelle and his Defence of ‘Salò, or the 120 Days of Sodom’
How would you describe a ‘man’ who not only cried ‘censorship’ against the authorities for clamping down on a sexploitation film that contained graphic scenes of children being raped, tortured, forced to eat excrement, mutilated, and then murdered, but joked that the store should only be punished for renting out the film to the police who were too stupid to appreciate it?
Most normal, sane, moral people would call such a film beyond evil. One of the traumatized male child actors, who would have been only 15 or 16 when the sickening movie was filmed, in which he is made to eat the shit of his abuser before having his nipples burned off, later killed himself through a drug overdose at the age of just 33. Today, such a film would undoubtedly be classed as category 5 child pornography (the very worst). Writing about the movie back in the 1990’s, David Futrelle judged it only as being ‘not exactly family entertainment’.
In fact, astonishingly, he also joked that instead of arresting the men distributing a film in a gay sex shop that graphicly portays naked (real) underage boys being sexually abused, that they should only be fined for ‘renting films that go over the head of the average undercover cop’.
Futrelle’s defence of the film seems to rest entirely on the status of the director – Pier Paolo Pasolini – as an ‘artistic genius’. Pasolini, a pederast, turned to film-making after his career as a schoolteacher was curtailed due to accusations that he was molesting the children. He is known for handpicking his invariably young and often pubescent actors and embarking upon sexual affairs with them – one such actor was only 15 when Pasolini cast him. Shortly before the release of ‘120 Days of Sodom’, the director was brutally murdered. An underage boy prostitute confessed to the murder, claiming that Pasolini had attempted to anally rape him. However, the child recanted the confession decades later, and the case was re-opened. Some suspect that Pasolini may have been killed by an outraged family member of the young cast, who were all aged between 14-18.
This grotesque sexploitation movie is officially banned in 15 different countries, although, as stated above, it should undoubtedly be automatically classed as the worst form of child pornography. Its defenders claim that it makes an artistic statement about the ‘corruption of power over innocence and youth’. The abusers in the film are portrayed as Italian wartime fascists who kidnap eight teenage boys and girls and subject them to 120 days of grotesque sexual torture and humiliation before murdering them. I have not watched the movie, and never will, but according to most online reviews and descriptions, it consists almost entirely of the graphic depiction of these tortures, with the teenage cast of victims, aged as young as 14, none of whom were actors (they were handpicked by the director from a modelling agency for their good looks and almost pre-pubescent appearance) looking genuinely terrified.
Despite the film’s supposed artistic statement about fascism and the corruption of power, and hence justification as an ‘art movie’, rather than porn or sexploitation, it is unclear why the director was homosexual, the audience of the film appears to be mainly homosexual, most of the positive online reviewers of the movie appear to be homosexual, why most of the movie’s focus is aparently on the graphic sexual torture of naked underage boys, and why the movie was being rented out in a Cincinnati ‘gay and lesbian bookstore’ that deals mainly with erotic homosexual products.
Just a handful of dozens of scathing Amazon customer’s review (yes, unbelievably this is still being sold openly on Amazon) :
Its disgusting. Watching people go through this, it seemed real to me, like watching a documentary of children being tortured. I think people who get off watching sickening abuse call this art as an excuse to watch it, when really they just get off watching torture porn. there is something wrong with this world. children being tortured and raped is not art. there is no reason for this movie to exist it should be illegal. sickening, horrifying, will haunt you for the rest of your life.
Unless watching a group of naked children cry for two hours is your idea of a good time, I say pass this one up.
I have read the reviews of what a deep movie this is and the important social message. What I saw was a badly acted porno with some near vomit-inducing moments. It’s as if the director was looking for an excuse to portray acts of pedophilia and extreme cruelty and then calling it art to justify it. How anyone can sit through this more than once and get some kind of enjoyment from it is beyond me.
David Futrelle still tries to incite violence against a frail old man for a misquoted comment made nearly half-a-century ago.
I found watching a roomful of innocent youths forced to eat their own feces in graphic detail nauseating, unsettling, and strangely banal. Populating a film with images of extreme violence does not substitute for commentary or condemnation. Leering at these victims is tantamount to one being complicent in their fates. There is nothing educational, liberating, life-affirming, or redeeming about Salo. If this is your thing, skip out on the nonexistent artistic pretense and take a trip to your neighborhood adult movie store.
(If David Futrelle had his way, perverts would be able to rent this at adult movie stores, or at least gay and lesbian adult movie stores).
David Cronenberg’s film Videodrome was right: pretty soon people will be wanting to watch movies of pure torture, with no redeeming values what so ever. Im sure I’ll get o out of 137 people finding this review helpful, and that sickens me. In my opinion, movies like this are bad for your mind. The whole movie is a bunch of innocent teenagers being torured, raped, molested, disembowled, and wirse things of which I won’t even describe. I can’t believe people enjoy this movie. Im not trying to insult anyone, im just trying to get people to realize that they are enjoying a movie about kids being tortured and sodomized. Im not some fanatical christian, or over protective parent, Im just a college kid whose worried about what movies like this do to people’s minds
Only the cruelest and most sadistic moron could enjoy this movie. It is repugnant and rejects every decency of which man is capable.
The imagery of the two men french-kissing with excrement on their mouths has been difficult to erase, not to mention the child rapes, the scenes of mutilation, and total absence of responsibility for the creation of such an otherwise gross and boring film.
This film is sick. Very sick. I am not a prude. I am a grown up gay man with rather radical views.
Still this film made me throw up when I saw it while preparing to write an essay on the director for a gay, cultural magazine.
I am aware of Pasolinis intentions of describing the real inner life and dephts of fascism, and I hate anything that even comes near to fascist views, even ordinary right wing views.
And still: This is the most evil film I have ever seen.
To think up this film, even with the literary source of it as a background, Pasolini had to use his own imagination. And I am glad I never knew a person with such an imagination (at least I hope I don’t know any such person).
And worst of all: The young kids in the movie had to go through these scenes, to act out this sick story. To do those things! I do really hope they have been taken good care of ever since!
(The above Amazon reviewer appears unaware that one of the child actors killed himself aged just 33).
Only serial killers and child molesters will get any enjoyment out of seeing this more than once.
This film is not as graphic as one may make it seem. It’s the overall feeling you get once the movie’s over that makes you want to crawl into a hole. Watch Cannibal Holocaust if you want something gut-wrenching. Watch Salo if you enjoy watching 15-year-old boys getting sodomized for 2 hours.
What can possibly be artistic about a film which shows a table full of adults and children eating human feces, vivid scalpings, genital burnings, continuous sodomy, organ mutilations, and teen children being lead around naked on leashes and forced to bark and eat scraps of food from a dog dish ??? THIS is supposed to be art ??? Salo is nothing but pure evil. No other film is as brutally, vividly disturbing as this one. But that does NOT make it a work of art.
I’ve never advocated censorship at all, but Salo changes my mind – particularly since it involves cruelty to minors. If the director Pasolini, as some rumors suggest, was murdered as a reaction to making this film, it is not hard to believe. This is celluloid at its worst. Every copy on the market should be deleted and destroyed.
People who have seen the film tell me that Pasolini made the film to show the true ways of our human nature and how bad people can be.What a bunch of crock!This is the most violating and sickest film I have seen.Hey,I like watching graphic films but I have my limits and this film goes way over that limit.”Salo,or the 120 Days of Sodom” is worthless,pointless,violating and the most trashiest,sleaziest sickest film ever made.Who cares if Pasolini was an artist.I have no respect for this film or Pasolini.How can I after what I have seen.
All biases aside, this film is nothing more than 117 minutes of continuous torture and sexual perversion directed at young people. Any socially responsible director can get his point across without feeling the need to wallow in this filth with child actors being violated in nearly every way possible . I have no doubt that Passolini either was getting his jollies out of the action being performed in front of his camera or was suffering great mental illness in order to allow his cast to be degraded in this way. It really is no wonder he was murdered shortly after completion of this film….As another reviewer has previously said this is an evil film and leaves an incredibly bad taste in ones mouth particularly when one realises they have partaken in this viewing experience willingly and contributed to the films revenue.
Do not listen to the positive reviews on this page unless you like to see the sexual torture of innocent children.
Even if this work had artistic merit, which IS VERY DEBATABLE. The detrimental effect on society through desensitization and moral corruption would more than neutralize any gain in expression. Based on a debit to credit argument, this film is a LOSER.
I tell you the point, the film may have begun as an analogy of fascism, but it deteriorated into a display of the director’s perverted fantasies. That is why it is so pointlessly excessive. A director using the theme of fascism as an opportunity to produce a perverse sadistic film. Another example of art used as a pretence, to really disguise a darker intend and desire.
Now the people who watch this film over and over, well all I got to say is this, be careful of them…. very careful
And I would add to that be very careful…and I mean very careful..of a man who attacked the police for removing this film from a gay sex shop, and yet who tries to make a career (and get laid) out of criminalizing the very idea that men and boys have rights.